sunnydalealum (
sunnydalealum) wrote2007-12-13 01:12 am
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A door to elsewhere has opened in the heart of Wolfram & Hart's stronghold, and it's letting in one hell of a draft.
The security guards are discovering, right about now, that their internal alarm system isn't working. And neither are their walkie-talkies. Or anybody's cellphone.
It's really kind of impressive how well they're rallying in the absence of any contact with each other or their own command.
The security guards are discovering, right about now, that their internal alarm system isn't working. And neither are their walkie-talkies. Or anybody's cellphone.
It's really kind of impressive how well they're rallying in the absence of any contact with each other or their own command.
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--Wait, no. There are people with lots of weaponry in the shadows. Sorry.
River's gun drops to line up with a guard's forehead: three shots, bangbangbang melding into one rapid roar, as she fans the hammer and ducks behind a filing cabinet. Her small face is pale, intent, and full of nothing but a sharp deadly focus.
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But for now he's got an elbow mostly through the larynx of another guard who made the novice mistake -- look where the bloody bullet came from, not where it went. Not that the bit of empty air that used to contain River would tell him much.
Spike bends down to steal the bloke's rent-a-cop hat. Not likely to fool anyone for long, but you never know your luck. A bullet -- no, an arrow -- passes over his back by a matter of a foot or so.
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He fires anyway, of course - Wolfram and Hart have pretty solid views on leniency. Namely: it's a bad, bad thing, and must be stopped. But the momentary hesitation is quite enough for Harth to dive at him head-on with a low, gleeful chuckle. Harth grabs the bow, twisting it from his hands to use as a weapon, and the guy makes a choked sound as ribs crack before his head smacks hard against the wall.
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Nightsticks come out, and heavy wooden stakes spring out of their far ends.
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(And there, her first expression: a fleeting moment of what might be exasperation.)
Her fanning hand drops, slaps leather and jerks sideways all in one motion as she spins to set her back to the wall; the right-hand gun shoots for blood, and the left-hand one to splinter wood.
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The sticks with more sticks in them are quite good, though. He doesn't remember that from L.A. He deflects the one coming at him, mostly -- there's a hole in his black t-shirt and one in his white stomach, but it's worth it to break the attacker's elbow instead of the toy, which he shoves in a back pocket.
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It may or may not line up with the overall plan.
For now, though, it's right in line with Spike's, and he jumps into a lazy fighting stance against one wall to welcome his attackers. Aim one: Break arms holding stakes. He fires the crossbow casually at one guard, before raising it as a bludgeon for the rest.
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The bullets from her gun aren't doing much to stop this one either.
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She rolls behind her filing cabinet again, reloading without looking, her fingers deft and gunslinger-fast. But when the cylinders are full again, she jams the guns back into their holsters, head cocked as if she's listening for something. Perhaps she is.
Because when she spins back around, it's the katana that's in her hands.
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The last group of zhirelin they faced left one of their number to play Horatius-at-the-bridge in a doorway, and were gone by the time they got through.
This stretch of hallway is -- or appears -- entirely deserted.
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Spike and River, stalking down the hall with quick scanning glances at doors and walls, look... well, more relaxed than you'd expect of people in the heart of enemy territory, as a matter of fact.
But only in that predator conserving energy sort of way.
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Spike holds up a hand and mutters "Hang on," slowing before one of the doors.
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And then again, to the wall between herself and the room Spike's just entered.
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The very tips of a pair of sneakers are protruding from under the desk.
It would take supernatural senses to hear the rapid heartbeat, but only rather good hearing -- and careful attention -- to catch the ragged breathing, like a series of stifled sobs.
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Right, then.
He takes a slow step back, and another, and turns away. "False alarm," he says over his shoulder to River. "Nothing in there."
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(Most of the blood's not hers. Some of it is.)
"Okay," she says, and slips past him into the room.
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"Bugger."
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They're down to the second sublevel and haven't encountered any attackers yet, but enough of the sound of battle is carrying to create a subliminal feeling of wrongness in the air, a pressure like a storm breaking overhead.
"Let's go back," Amy says abruptly.
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She doesn't want to stay away fromthe battle, but sh also doesn't want to bring back more people for the other side.
"Yeah," she agrees out loud, and turns to go back.
Before she stops suddenly, and looks back, in the direction they were headed.
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"How are we supposed to hear otherwise?" Amy demands. "The walkie-talkies aren't working, the phones aren't working, they could need our help and not be able to call us --"
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"My guys've other ways of letting me know I'm needed."
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Amy doesn't know just how right she is.
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"Hey, found you!" Harth says brightly, strolling closer, hands nonchalantly in his pockets. (This is actually because he has blood under his nails. Some things don't aid being undercover.)
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Shuts it.
Puts her hands on her hips.
Drops them.
"...Hi."
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Juliet says nothing, but steps forward and a little to the side, her eyes fixed on the newcomer.
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